Wednesday, May 21, 2014

Designing Sets Within A Theme

I am a theme whore! I love theme parties, theme rooms, theme stripper costumes, you name it. If it's got a them, then it's automatically 100x more awesome in my book. Today was spent designing the padded cell set for the Hedonist music videp, but I wanted to experiment with designing with a theme. In this case, the theme is HEDONIST. So, what I did was ask myself, what kind of a padded cell would a hedonist be locked inside? The answer is this one.

The Hedonist's Padded Cell
I'm not too sure yet as to which padded cell design I'll be going with because I really love both concepts. The concept seen below is the padded cell of what I call the broken down lunatic. I love this one because I'm a huge fan of showing the song lyrics being scrawled in blood on the walls of the padded cell a scene in the video. 
The Broken Down Lunatic's Padded Cell
Ugh! So many creative ideas, and it's so hard to choose a direction. What do you think? Which padded cell do you like better?

Saturday, May 17, 2014

Getting Creative With Lyrics

Today was mostly spent doing some more set design for my Hedonist music video. Today's set is a padded cell in an insane asylum with the lyrics for Hedonist written in blood. How creatively macabre is what I say. Peace out.

Wednesday, May 14, 2014

Inside My Mind

The next music video I plan to make is for my song Hedonist, which lyrically is 3 distinct voices having a conversation inside my head. How I visually want to convey this is by using a psychiatrist's office as the symbol of me having a conversation with myself. I've done up a few set designs for said office. One is an ornate office, which would appeal to a hedonist, and the other is a more surreal setting. Both sets are decorated with actual paintings I've done as a form of art therapy. Prints of my are for sale here.



Saturday, May 10, 2014

Transferable Skills

So I hate my day job, and most people do, but I am grateful for the transferable skills I can apply to doing the awesomeness that is Borg Queen. During the day I work as an interior designer which basically involves me designing kitchen's and bathrooms for fussy middle aged women and helping solve the dilemma of which shade of beige they should paint their walls. Ugh.

However the bright side to this is that I've got some wicked design skills and software that I can transfer over to doing much cooler things like designing sets for my next music video as seen below. Behold the psychiatrist's office that is yet another carefully crafted symbol of what goes on in my mind as I have conversations with myself as a form of my own inner cognitive behavioral therapy.

Monday, April 28, 2014

The End Is In Sight

I just got sent a preview of the music video for Lapdance Romance from Arcelia the director. It looks amazing! It's not what I expected, but I'm definitely happy with it. Now all that's left is to finish mastering the audio track and then it's time to release it.

This is something that took way longer that I felt it should have and there were some major bumps along the way, including lack of money and serious issues with the producer/engineer I hired to help me record anything. I'm not going to go into the gory details though because the end is in sight, and I believe everything happens for a reason.

So here's some teaser screen shots from the video. Enjoy!















Saturday, March 22, 2014

Lapdance Romance Part 2 - A Labor of Love, Persistence and Complete Insanity

Lets Recap
In anticipation of the release of my song/music video/visual masterpiece that is Lapdance Romance I've decided to re-hash my long arduous production journey. To recap, Lapdance Romance was a song and painting that I created for my husband, before he was my husband while we were on a break. I wrote and recorded the original demo back in 2010. You can listen to the original demo it on my Soundcloud profile here.

As mentioned before I tend to think big, and as a product of the MTV generation I decided that I wanted to create an audio-visual masterpiece in the form of a music video that would use the story behind the song and visuals in the painting as it's inspiration. When approached my director friend Arcelia Ocana of Ribbit Ribbit Studios about the project and played her the song, her reply was, "Jenny, we love the song and we want to make you famous!" This is typical Arcelia as she's a bubbling cauldron of positive, creative energy. So hurdle, number one, find a director, was done.

The DYI Insanity Begins
My next big issue was budget. I literally did not have a budget, at all. When Arcelia approached me about this (not so)minor detail I sheepishly mentioned that I don't have a budget, but have no fear because I have connections to talented(and generous) people AND a lot of this is going to be a largely DIY affair on my behalf. My hair brain scheme is that I would be a one woman art department as the video would be based on my art. Her response was, "No problem, we'll make it work. We all love you at Ribbit Ribbit and want to see you succeed."

Having gone to art school for animation and worked as an animator I was well versed in the art of story boarding and making animatics, so I offered to do the basic pre-production work myself and create an animatic for Arcelia to work off of.  I've never made this animatic public before until now, so if you click the link of  "The Lost Lapdance Romance Animatic" you'll be directed to my ultra secret You Tube video that up until now has only been seen by production staff.

Jenny Learns To Work With Others
One of the hardest things for me on collaborative creative projects is giving up control and letting others do their jobs. I saw making this music video as the perfect opportunity to do some personal growth, so when Arcelia approached me, and said that while they(Ribbit Ribbit) loved the animatic, they wanted to bring in a writer to write the script for the video. They wanted to keep the basic story the same, but they just wanted to write it themselves with my input of course. So, I let go and said ok. HUGE step for me.

The writer in question was someone that I had worked with before, Niko Koupanstis a very talented writer and actor that I had the pleasure of working with on a short film of Arcelia's called "Mime Love." He stuck to the basic storyline of whore falls for a client at a brothel while under the influence of absinthe but added some cool twists that served to really amp up the dark and creepy side of things. In Niko's version the whores became dolls that the madame keeps locked in display cases, but my favorite idea of his was that in the absinthe hallucination my character transforms into a cybernetic dominatrix.

His concept really allowed me to get creative with the character designs. As you can see below, the original character design I came up with for the cyber dominatrix and then the final product underneath it is me in my full make-up and costume.
Orginal character design of my cyborg dominatrix alter ego
On set as my cyborg dominatrix character
I guess you could say that the lesson learned here is that it never hurts to allow others to have some input because they might just come up with some pretty cool shit you would have never thought of. So when Arcelia approached me about improving the sound quality of my original recording by hiring a producer to work with, I was definitely less hesitant, but that's another story for another day as the saga of Lapdance Romance continues...

Thursday, March 20, 2014

Lapdance Romance Part 1 - A Labor of Love, Persistence and Complete Insanity

Waaaaaaaay back in July of 2010 I wrote a little ditty called Lapdance Romance. I wrote it as a romantic gesture for a man I met and fell in love with at a strip club. We met because he was lonely, bored and on a whim decided to go to his local strip joint and get a lap dance(or 4). As fate would have it, I was the lucky stripper and we fell madly in love. Then some shit happened, we broke up, I wrote the song as a big romantic gesture, we got back together, got married blah blah blah etc. It's the kinda stuff movies are made of really. However I'm not a filmmaker, so I wrote a song and painted a lovely picture about it instead.

So, when I originally wrote the song, I recorded a demo of it using only Reason 4.0 and Sonar as my DAW in my makeshift home studio one sunny summer afternoon. I then presented the song to my estranged sweetheart as a romantic gesture to let him know that I still loved him. It truly was a labor of love. 

Fast forward almost 4 years later and I'm still working on the damn thing. I had some lofty goals for this song and they're finally coming to fruition. It wasn't just enough to record my crappy home-recorded demo and give it to the object of my affection. NOOOOOOOOO, not me, that's just not how I roll. I needed to make a production of it, literally. I wanted to make a full-on cinematic style, professionally shot music video. So that's exactly what I did. It may have taken 2 almost years from the beginning of production til now, and they're have been numerous obstacles(illness, lack of money, battles with producers) to overcome, but the end is now in sight. 

This has been an amazing period of learning and growth for me both personally and professionally. It's been frustrating at times, but overall one of the most rewarding experiences of my life. I'm gonna save the rest of the story for my next post though, but I guess you could say it all began when I approached my friend Arcelia Ocana of Ribbit Ribbit Studios to direct my video...