Showing posts with label artistic integrity. Show all posts
Showing posts with label artistic integrity. Show all posts

Monday, March 5, 2018

The Spark. The Layers. The Release.


As a multidisciplinary artist who paints and writes songs, one of the most common questions I get is, "What comes first, the painting or the song?" The answer is neither. It's the concept that comes to me first. It's a spark that flashes within my mind and I feel compelled to communicate it as thoroughly as possible. Sometimes I'll write about it first, and other times I'll work on the visual aspect of it depending on my mood. There's so many layers to an idea and when I create it's through layers of paint and sound. Each layer has meaning and is an integral part to the entire piece.

This most recent series of paintings and songs is all about the layers. On the surface Blood Sweat Tears is woman venting about how her marriage and family life is falling to pieces and how she's coping through violent sex and workaholism. Deeper down it's about how we have a preferred self and a shadow self. When we face loss or some kind of tragedy we often revert to a shadow version of ourselves as a coping mechanism. 

My shadow self is something that I explore through my songs and artwork. In a way it's a confession of all the horrible feelings I held inside for years because I didn't want to let go. I called this series of paintings Blood Sweat Tears because it really is a wonderful symbol of the creative process. Blood is representative of life and intimacy. It's the fuel that feeds the creative spark. Sweat is the process of crafting all the layers and organizing them into songs and paintings. Tears are the release. Once the idea has been meticulously crafted, it's time to let it go into the world. It's a literal release of material into the marketplace, but also a form of closure to a chapter of my life.

If you've been following my progress for the past year or so, you should be aware that I'm mixing my literal blood, sweat & tears into my artwork. I've posted a few videos here and there of my process. To extract my sweat I would engage in a sweaty activity and then use paper towel to dry myself off. I then would then puree the sweat soaked paper towel in a blender and add the pulp to my sculpting medium. I essentially used the same process for the tears. To make myself cry I would watch the Star Trek: TNG episode 'The Inner Light,' which is the one where Picard lives an entire lifetime in 20 minutes. I challenge you to watch it and not cry.


Here's a video of my sweat extraction process.


Extracting blood, was something I agonized over a bit. I debated using menstrual blood, but decided against it mostly because I wanted "pure blood" free of all the other stuff that comes along with period blood like uterine lining, vaginal mucus and bits of tampon. I considered cutting myself, but I didn't want to promote self-harm in any way. Finally I found out that one of my friends draws his own blood when ever he has to give a sample for medical purposes, so I asked him if he'd be willing to help me out. By far this ended up being the best option because not only is it safe and sterile, but the viles are vacuum sealed and the blood stays fresh.

Here's a video of my blood extraction and the method I used to incorporate it into the painting.


It took several days to complete my first piece which is longer than it normal takes me if I'm just doing a painting. I had to wait for the plaster to dry between layers and I'm this was my first attempt at sculpting.



The end result was pretty cool. My "release" of the painting is me reciting the lyrics to the song as a dramatic monologue. Call me old school, but I believe words are very important in songwriting.

Here's the finished painting with my recitation of the lyrics.


I'm still running my pre-order campaign through Pledge Music and prints of the artwork as well as the EP are still available for pre-order until March 19th.


Sunday, April 2, 2017

A Dark And Enlightening Journey: Part 3 of 10

PROJECT OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is Little Miss Liquid Courage.

LITTLE MISS LIQUID COURAGE

Little Miss Liquid Courage is the third piece in the series and is a continuation of the story. Sex, Drugs and Shiny Brass Poles the preceding song and painting is all about being consumed by the hollow pursuit of material wealth and becoming viewed as a fixture within strip club environment rather than an autonomous human being. Little Miss Liquid Courage expands upon the idea of losing ones identity and the pressure to conform to a very specific and unrealistic standard of beauty aka. the "human Barbie." Conforming to the human Barbie look isn't just specific to exotic entertainment, it's a beauty standard perpetuated by western pop culture in general. 

When I first started dancing I was stoked about it! I could make money by hanging out in a bar, having drinks bought for me and entertaining people on stage. As an artschool student in their early 20's it was a seemingly ideal situation for me, until I started to see the dark underbelly and politics of the industry. Because I was very pale skinned, had piercings, red haired and kinda gothy looking I was constantly getting bumped from gig lineups because of my look. My agent informed me that a few tweaks to my appearance would make me more bookable, All I had to do was "soften my look" meaning...take out the piercings, get a tan, dye my hair blond, lose some weight and get some fake tits. Another suggestion they made was to choose music that was less aggressive in nature, in other words dance to top 40 hits. As ashamed as I am to admit it, I took their advice and get a spray tan, dyed my hair, took out the piercings, starved myself and started dancing to music I hated compromising all my artistic integrity as a performer. I even attempted to get breast implants, but thankfully was denied financing because of my student loan situation. I hated myself and spiraled even further into alcohol and cocaine abuse.

Why did I compromise? Money. The fear of not having enough. The fear of being unable to pay for school and not get into a good career and become a failure in life.

SYMBOLS

The Cocktail: It's a Shirley Temple symbolizing youth, feminity and innocence.

The Female Subject: She's blond, tanned, skinny with obviously fake breasts. She's "sacrificing" herself to conform to the blonde bombshell beauty ideal mirroring the lyrics "you're a poser, plastic Barbie doll, platinum blond disgrace."

The Cherry: The pierced cherry symbolizes the loss of innocence, idealism, artistic integrity and becoming corrupted by money.

The Color Palette: I deliberately used pinks and purples because the song is about taking the female gender stereotype to it's extreme. 

Fine Art Print Available here https://www.borg-queen-music.com/paintings


MUSIC AND LYRICS

My intent when writing this song was to parody a pop song. I wanted something super catchy and dance-able, but I wanted to throw in a dark sonic undercurrent to show that underneath all the pink glitter and glamour there was a dark disturbing motivation behind the facade. This is probably one of my favorite songs on the album and can be purchased as a single or part of the album on my WEBSITE 

Little Miss Liquid Courage

Little Miss Liquid Courage you know what you are 
You’re a hot piece of flesh sequin clad pseudo rock star 
So strap on your stilettos get your ass on the stage 
And dance your panties off while you’re still all the rage 

Cause you’re a super star 
And they love what you do 
You only get so far 
Cause I hate what you are 
But you’re my Little Miss, Little Miss, 
Little Miss Liquid Courage 

Little Miss Liquid Courage wipe that smile off your face 
You’re a poser plastic Barbie doll platinum blond disgrace 
So pump up your tits they didn’t come to see your face 
Now you’re the perfect picture of female beauty and grace 

Little Miss Liquid Courage it’s time that you know 
What goes on behind that curtain, time for a VIP show 
You don’t have to get him off, just make him grow 
And then he’ll buy you a drink and even pay for your blow 

Cause you’re his super star 
And he loves what you do 
You only get so far 
Cause he hates what you are 
But You’re his Little Miss, Little Miss, 
But You’re his Little Miss, Little Miss, 

Little Miss Liquid Courage you know what you 
You’re a star, you’re a star 
Yes you are, yes you are 
And you’re my Little Miss, Little Miss, 
Little Miss Liquid Courage 
Liquid Courage x 3 



Wednesday, February 22, 2017

Labels Are Limiting

Labels are necessary and helpful. They save us time and energy. In the information age where we can't possibly sift through all the content that crosses our path, we need to categorize, sort, label and hash tag content so that we can make a decision as to whether something is relevant and worthy of our attention. As a content creator, everything I publish is tagged with labels so it can be sorted by algorithms and distributed to the audience that will most likely give a fuck about it. While this is efficient for narrowing down a target audience, it is artistically limiting.


Why I Don't Want To Be Reduced To Just Another Goth Cliché

One of the primary labels I use is "goth." Why? Because that has been a label consistently assigned to me by others. I didn't wake up one day and decide to be goth, but I can't even count how many times people have asked me if I'm goth, to which I reply, "if that's how you see me, then to you I am goth and that's fine." However, when I look at myself as a person and an artist I'm not creating content to conform to a subculture's set of parameters by which they define themselves. That mindset goes against every shred of artistic integrity within my being! I HATE conformity, and despite how alternative a subculture may portray it's ideals to be, the very fact that it is a culture unto it's own means that people who identify as part of that culture are conforming to it.

There's a part of me that cringes every time I type #gothgirl, #goth or #gothrock on my Instagram posts, but because it makes my content more discoverable and I know that people who like other content with those labels are likely to enjoy my stuff. It does not mean that I tailor my content to fit the parameters of what is considered goth. It simply means that there are elements of my style that overlap with certain goth clichés.

Why I Have To Reduce Myself To Another Goth Cliché(kind of)

From a business marketing standpoint it would make sense to incorporate more of those clichés into my content, but then I'd be artistically limiting myself. One of the hardest things I have to do is when I'm promoting myself is define myself as an artist. I'm a rock artist, but so is Nickelback and I sound and look nothing like them. I'm technically an indie rock artist, but almost every indie rock publication that I submitted my music to for review didn't find my work to their taste because I don't sound like Arcade Fire or whatever the indie rock flavor of the moment is. There was for a moment the temptation to listen to what was getting publicity on Hype Machine and then try to pick a song of mine that sounded as close that style as possible and then make musical comparisons of my stuff to other bands that are currently popular, just so I could at least get some publicity, but then I'd REALLY be a sellout. So in order to stay true to myself and get publicity I have to find the fans of other artists who possess overlapping sonic and visual elements to mine and then label myself accordingly. In my case, being a pale, macabre artist who's biggest musical influence is Nine Inch Nails means that goth subculture is likely to embrace me.

Why I'm Not JUST A Goth Artist

I do hate to limit myself to one very niche genre though. When I set out to do my album Sex, Drugs & Shiny Brass Poles, I wanted to tell a story through paintings and sound. I didn't have any pre conceived ideas of what it was going to sound like or what genre it was going to be. I wanted to create a world for my audience to experience. I wanted to draw them into the world of Sex, Drugs & Shiny Brass Poles that I experienced so they could see it through my eyes and gain the insights that I did. I wanted to show people that travelling through a dark place can be an enlightening experience.

One of the publications that reviewed my album was Jamsphere and I really appreciated what they had to say because honestly I couldn't have said it better myself.

"she sounds like an artist free of any unnecessary expectations, from herself on any outside sources...From the second “This is Real” kicks off the album, you realize it doesn’t even matter if you’re not into industrial, alternative or electronic music because “Sex, Drugs & Shiny Brass Poles” really can’t be classified or labeled, in such a limiting way. It’s just amazingly composed, brooding, haunting music which takes you into another level of consciousness."(read the entire review here)

If you're curious as to what music without expectations sounds like, you can stream the entire album below and if you like it or just want to support me you can buy it on iTunes or my Official Website. Hope you enjoy!

Tuesday, November 15, 2016

Style and Substance: Hotness vs. Talent

Years ago I interviewed an actor friend of mine and asked him what factors increase a person's chances of success in the world of professional acting. He looked me right in the eye and bluntly stated "be hot and talented." The idealist in me didn't want to accept that hotness plays as much of a role in an entertainer's(particularly a female's) success, but my inner realist knew he hit the nail on the head. Of course neither hotness nor talent or combination thereof will guarantee success, but it will increase your chances.
So armed with this knowledge of the winning formula to increase my success as an musician/performer/artist I find myself constantly balancing style with substance. The following is a list of questions I have had to answer when taking an honest inventory of my artistic integrity vs. marketability of the content I produce.

So what is the right ratio of style to substance? 

Appreciation of aesthetic is part and parcel of being a visual artist. Style is integral to what I do and does bleed into my other artistic mediums including the music I make. So how important is the packaging? For me personally, the packing must be a reflection of what is on the inside. It must make a strong impression and draw the audience into the concept being conveyed through the medium.

We all judge a book by it's cover to a certain extent and that is something I keep in mind when designing that cover. I want the outside to be an accurate reflection of the lies underneath.
Artistic intent conveyed through style is not just art for the sake of art. Every visual element is deliberate and tells a part of the story.


So what about using sex to promote yourself as an artist?

I'm innately drawn to anything sexy as I think most humans are so that's wht sex sells. When it comes to my artforms though, the questions I ask myself are, "Am I selling sex? Is sex in anyway integral to the concept I'm relating through my art?" If the answer is yes, then of course I'm going to use sex as a promotional tool because that is what the song or painting or performance is about. Using sex as a promotional tool in that context is truthful and doesn't compromise artistic integrity.

However, let's say I've written a song about my dad's death. Am I going to sex myself up to promote the song? Of course not, because it's not artistically relevant and it would be painfully obvious and sad that I was using sexy images of myself just to gain popularity.

The song We're All Whores uses a sexual metaphor lyrically and visually to convey the concept of human commodification as a result of capitalism.

Does hotness matter?

Sadly, yes. Especially if you're a woman, but make no mistake if you rely solely on hotness to gain popularity and the try to legitimize yourself as a serious artist afterwards, it's harder to be taken seriously. You could be super talented, skillful, accomplished and intelligent but if you ride the hotness train to popularity town you'll find it harder to change people's perception of who you truly are because you bombarded them for so long with only one dimension of yourself. Some people just don't care to see beyond the hotness. It takes longer to gain a fan base by not exploiting just your sexuality, but in the long run you'll be appreciated for your art and not just your image. Marilyn Monroe was a legitimately talented actor, but do we talk about how talented she was, no we talk about how beautiful she was.

So how do we strike a the balance between being a sellout and being naively idealistic?

In the end our art is our legacy it out lives us. So being mindful of that fact, we should aim to promote ourselves and our craft with truthfulness and integrity, but sometimes that does mean being overtly sexual. Ultimately, what brings about lasting success is being true to one's self. After all, in art everything is subjective including hotness and talent.