Showing posts with label album art. Show all posts
Showing posts with label album art. Show all posts

Monday, March 5, 2018

The Spark. The Layers. The Release.


As a multidisciplinary artist who paints and writes songs, one of the most common questions I get is, "What comes first, the painting or the song?" The answer is neither. It's the concept that comes to me first. It's a spark that flashes within my mind and I feel compelled to communicate it as thoroughly as possible. Sometimes I'll write about it first, and other times I'll work on the visual aspect of it depending on my mood. There's so many layers to an idea and when I create it's through layers of paint and sound. Each layer has meaning and is an integral part to the entire piece.

This most recent series of paintings and songs is all about the layers. On the surface Blood Sweat Tears is woman venting about how her marriage and family life is falling to pieces and how she's coping through violent sex and workaholism. Deeper down it's about how we have a preferred self and a shadow self. When we face loss or some kind of tragedy we often revert to a shadow version of ourselves as a coping mechanism. 

My shadow self is something that I explore through my songs and artwork. In a way it's a confession of all the horrible feelings I held inside for years because I didn't want to let go. I called this series of paintings Blood Sweat Tears because it really is a wonderful symbol of the creative process. Blood is representative of life and intimacy. It's the fuel that feeds the creative spark. Sweat is the process of crafting all the layers and organizing them into songs and paintings. Tears are the release. Once the idea has been meticulously crafted, it's time to let it go into the world. It's a literal release of material into the marketplace, but also a form of closure to a chapter of my life.

If you've been following my progress for the past year or so, you should be aware that I'm mixing my literal blood, sweat & tears into my artwork. I've posted a few videos here and there of my process. To extract my sweat I would engage in a sweaty activity and then use paper towel to dry myself off. I then would then puree the sweat soaked paper towel in a blender and add the pulp to my sculpting medium. I essentially used the same process for the tears. To make myself cry I would watch the Star Trek: TNG episode 'The Inner Light,' which is the one where Picard lives an entire lifetime in 20 minutes. I challenge you to watch it and not cry.


Here's a video of my sweat extraction process.


Extracting blood, was something I agonized over a bit. I debated using menstrual blood, but decided against it mostly because I wanted "pure blood" free of all the other stuff that comes along with period blood like uterine lining, vaginal mucus and bits of tampon. I considered cutting myself, but I didn't want to promote self-harm in any way. Finally I found out that one of my friends draws his own blood when ever he has to give a sample for medical purposes, so I asked him if he'd be willing to help me out. By far this ended up being the best option because not only is it safe and sterile, but the viles are vacuum sealed and the blood stays fresh.

Here's a video of my blood extraction and the method I used to incorporate it into the painting.


It took several days to complete my first piece which is longer than it normal takes me if I'm just doing a painting. I had to wait for the plaster to dry between layers and I'm this was my first attempt at sculpting.



The end result was pretty cool. My "release" of the painting is me reciting the lyrics to the song as a dramatic monologue. Call me old school, but I believe words are very important in songwriting.

Here's the finished painting with my recitation of the lyrics.


I'm still running my pre-order campaign through Pledge Music and prints of the artwork as well as the EP are still available for pre-order until March 19th.


Thursday, September 14, 2017

The Audio-visual Process For 'Blood Sweat Tears'

People ask me what I do all the time, and never really have a succinct answer that doesn't make me sound a. Horribly pretentious or b. Completely unfocused. I always end up explaining to them the entirety of what I do within the project 'Borg Queen' which usually goes something like this...

"I have a multidisciplinary art project where I write and record songs, but for each song that I write I do a painting to visually convey the concept behind the song. I also make music videos and I use the painting as the visual inspiration for the imagery in the video. I'm also a dancer with a background in theatre so for my live performances I like to do a theatrically driven show that incorporates other performers, choreography, props and FX." 

It's usually followed by me showing them pictures on my phone of my paintings, music videos and the behind the scenes shots of the process.

So why work in so many mediums to simply express an idea? The short answer is because I can. The long answer is because some people are more inclined to process audio information effectively and others are more visually inclined. Also, there are layers and complexities within a concept that lend themselves better to audio and some that can only be expressed visually. One of the more common questions that I get asked is:

Do I work on the audio or visual aspect of idea first?

For my previous album it was sometimes the image came first. Sometimes the lyrics were the first thing to pop into me head, but for a couple of the songs I definitely wrote the music before anything else based on the overall idea I wanted to express.
For my upcoming EP 'Blood Sweat Tears' my process has been more formulated, not on purpose, but there's definitely been an order to the way I've been working.

First I wrote the lyrics.

This EP is me venting emotionally, mentally, socially, physically and sexually. There was a lot of sadness, rage, regret and anxiety I was bottling up inside much to my psychological detriment, and finally last August I had a nervous breakdown. I fell apart on every level of existence. I was having a recurring nightmare about being a serial killer who was on the run. I finally figured out that the dream was symbolic of me killing my emotions and burying them. So I decided to do something for my mental health, and I started writing down all of the dark thoughts that I had been concealing deep within my psyche.

Next I wrote the music.

I didn't want to over think it, so I kept it pretty simple as far as the song structures went and I avoided second guessing myself. I figured if I don't like it, I can always delete the file and start over again. I wrote, produced and recorded the songs within the span of about 2 weeks. In those two weeks that I was belting out my vocals, I felt a release and the recurring serial killer nightmare ended.

Currently I'm working on the artwork.

Right now I'm working on the visual development for the EP. I'm currently sketching full color thumbnails for the paintings each song will have. Eventually the paintings will serve as the visual framework on which I base the music videos.

My process so far in the visual development will be for me to sit down and start writing the lyrics. As I write the lyrics down, visuals will pop into my head. It almost like having several frames from a video in random order flip through my minds eye. I take a mental screenshot of the images I feel are the most powerful and then recall them as I start sketching. Next I add color and this is a really important step as the palette I use in the painting will determine the palette used in the videos. For all of the visuals in this EP the palette is representative of blood, sweat and tears. I'm using red for blood, flesh tone for sweat and blue for tears.
This is the thumbnail and lyrics for 'Sexorcism'

I'm taking a more literal approach with the actual paintings and adding my own blood, sweat and tears into the medium. I'm currently posting videos of my process on my Pledge Music campaign for the EP. Anyone who wants to join me in my artistic journey creating the EP gets an access pass to the exclusive videos and regular updates that I'll be posting along the way.

I made my first Pledge Music video update from the bath showing pledgers my process for extracting the sweat that I am using in the paintings. If you join me on Pledge Music, you get access to my often very bizarre creative process. 

 So far it's been a really fun collaborative effort and I've loved communicating with my pledgers throughout the process so far. The feedback has been overwhelmingly encouraging and I'm so grateful that platforms like Pledge Music exist for me to connect on a very intimate artistic level with my fans.

The next step.

After the EP is completed and released, I will be turning my attention to making a music video for each and every one of the songs on the EP. The videos will all transition seamlessly from one to another telling the story behind the demise of my psyche in 2016 and how I got it back by confessing to being a "Serial Killer."

Monday, June 12, 2017

Finding Purpose

If you read my last post I mentioned that I felt compelled to make a booklet of my art and lyrics from Sex Drugs and Shiny Brass Poles to give as a gift to the women I've shared the stage with over the years to give some higher purpose to my art and the relationships I formed in the exotic entertainment industry. I wrote a dedication to my stripper sisters in the hopes that my experience in the industry plus my personal struggles with addiction and mental illness could serve as a reminder of hope in dark times. You can download a pdf copy of the booklet below or read the dedication in my last post

click to download pdf


Over the past few days I distributed the booklet and the response far exceeded my expectations. One woman sent me this that has really stuck with me over the past few days.


What resonated was she thanked me for giving purpose to what we do. It may seem odd think that there's a purpose to being a stripper other than making money, but there can be a purpose to any experience if we see our lives as purposeful. Every experience whether good or bad has purpose. Even the so-called bad things, poor choices and challenges can be turned into something positive. Difficult times can ultimately make us stronger, wiser and more compassionate if we choose to look outward rather than inward. If we choose learn from hard times, we can implement that knowledge to better ourselves and ultimately the world around us.

I truly believe that our time here on this planet can serve a greater purpose than perpetuating the cycle of acquiring material wealth, procreating and passing on our material assets to the next generation. I believe that every person has value and that value is not determined by their income potential, but rather who they are and what makes them unique.

Thursday, May 18, 2017

A Dark And Enlightening Journey: Part 7 of 10

PROJECT OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is It's Over.

IT'S OVER

It's Over is a break up song. It's me ending all the unhealthy relationships I had cultivated over the 7 years prior. I ended my relationship with my abusive spouse, my unhealthy relationship with booze, drugs and money, but most importantly I ended my abusive relationship with myself. The song can be summarized in pretty much this one line from the bridge.

"Fuck You! I'm done! Fuck it all, I don't want to fall back in love with you again. Back in hell with you again"


SYMBOLS

The Bride: The bride is a pretty obvious symbol given the context of the lyrics. She sits calmly staring a a broken wine glass.

The Broken Wine Glass: Again, I love my visual symbols to have several meanings. In some Western particularly religious wedding ceremonies the bride and groom drink wine from the same glass. The smashed glass is the symbolic end to the relationship. Also, the broken wine glass symbolizes the end of addiction.

The Wilted Flowers: Another symbol of the death of relationships.



Fine Art Print Available here https://www.borg-queen-music.com/paintings


MUSIC AND LYRICS

The song is a bouncy dance rock song with a defiant tone. The song can be purchased as part of the album or as a single on my WEBSITE  

For a limited time let's say until midnight on May 20th, I will make It's Over available as a FREE DOWNLOAD

It's Over

I don’t wanna go to your after party
I don’t wanna fuck your fat wad of money
I don’t need your backstage pass cause you don’t get me off
And I am done whoring myself out
To further your cause
It’s over, It’s over, It’s over
It’s all over

I’m living it for me now
I’m no longer your slave now
I’m not your bitch anymore and I’m done with you
It was fun while it lasted but you need to know
I can’t stay here and rot, so I’ve got to let you go

I don’t have to sit here and let you fuck me up
And I don’t have to pretend that what you give is good enough
And I don’t need your empty promises or your alleged love
I’m not desperate enough
To be settling for this
It’s over, It’s over, It’s over, It’s so over
It’s over, It’s over, It’s over
It’s all over

I’m living it for me now
I’m no longer your slave now
I’m not your bitch anymore and I’m done with you
It was fun while it lasted but you need to know
I can’t stay here and rot, so I’ve got to let you go

So take your cheap words and swallow them
I hope you choke and die
Go swimming in your liquid lies
Go drown in your deception’
Go swimming in your liquid lies
Go drown in your deception’

Fuck you! I’m done! Fuck it all!
I don’t want to fall back in love with you again
Back in Hell with you again

I’m living it for me now
I’m no longer your slave now
I’m not your bitch anymore and I’m done with you
It was fun while it lasted but you need to know
I can’t stay here and rot, so I’ve got to let you go

It’s over, It’s over, It’s over, It’s so over




offer expires May 20th, 2017


Embed for It's Over

Tuesday, April 18, 2017

A Dark And Enlightening Journey: Part 5 of 10

PROJECT OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is my musical equivalent of Nine Inch Nails' Hurt(famously covered by Johnny Cash)...The Bottom Of The Glass.

THE BOTTOM OF THE GLASS

The Bottom Of The Glass is the 5th piece in the series and is about hitting rock bottom. The preceding song Hedonist is the in your face revelation of the domestic abuse, pain and dysfunction that I was dealing with at the time by self medicating with drugs and alcohol abuse. The final line of Hedonist

"I need an anesthetic, to numb me to you"


is very purposefully blended in the lyrical sense to the opening line of The Bottom Of The Glass,

"With the last drop of anesthetic I swallow, I see the bottom of the glass"


I wanted to show the relationship between the two songs by reiterating the concept of an anesthetic being used as a form of escapism from a horrific life situation involving domestic violence. The Bottom Of The Glass is the realization that in the process of self medication I was actually killing myself and needed help. At the end of the song is my cry for help...

"Save me from myself, my life, this world of glass, let me have another day outside the glass"


SYMBOLS

The Empty Glass: Empty like my soul, when I hit rock bottom. Transparent, because I was finally being honest with myself as to why I was such a hedonist. The opening of the glass is also not visible to indicate that the subject cannot see a way out of her prison.

The Female Subject: Naked with only her own arms to hold her, cold and alone. Her eyes are closed, meditative and contemplating her fate.


Fine Art Print Available here https://www.borg-queen-music.com/paintings


MUSIC AND LYRICS

The song is atmospheric with layers and textures painting a picture with sound. The intent was to create a hauntingly sad song conveying the despair and depression I was experiencing while coming to terms with the magnitude of a mess I had created for myself. The song can be purchased as part of the ablum or as a single on my WEBSITE 

The Bottom Of The Glass

With the last drop of anesthetic I swallow 
I see the bottom of the glass 
I've drowned my pain and killed my joy 
I poured out my soul 
There's nothing left 
I've become this vessel I'm hollow 

There is no tomorrow can't see my past 
I fell into the bottom of the glass 
The party's over, everyone's gone 
I am trapped inside 
No where to go 
Inside this place I'm fading fast 

Death greets me but I don't want to follow 
The end is at the bottom of the glass 

I can't stop drowning myself in this hell I created 
This is no way to live, but I'm not ready to die 
I don't want to die, but I'm killing myself 
I can't face what I've become so I just numb the world away 

I try to look up and see a way out 
Life's still a dim prospect 
With nobody to help me from out of my cage 
I've fallen again 
With each sip I take I throw myself away x4 

I'm waste inside the bottom of the glass 
Will I ever see the light again 
Save me from myself, my life this world of glass 
Let me have another day outside this glass



Sunday, April 2, 2017

A Dark And Enlightening Journey: Part 3 of 10

PROJECT OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is Little Miss Liquid Courage.

LITTLE MISS LIQUID COURAGE

Little Miss Liquid Courage is the third piece in the series and is a continuation of the story. Sex, Drugs and Shiny Brass Poles the preceding song and painting is all about being consumed by the hollow pursuit of material wealth and becoming viewed as a fixture within strip club environment rather than an autonomous human being. Little Miss Liquid Courage expands upon the idea of losing ones identity and the pressure to conform to a very specific and unrealistic standard of beauty aka. the "human Barbie." Conforming to the human Barbie look isn't just specific to exotic entertainment, it's a beauty standard perpetuated by western pop culture in general. 

When I first started dancing I was stoked about it! I could make money by hanging out in a bar, having drinks bought for me and entertaining people on stage. As an artschool student in their early 20's it was a seemingly ideal situation for me, until I started to see the dark underbelly and politics of the industry. Because I was very pale skinned, had piercings, red haired and kinda gothy looking I was constantly getting bumped from gig lineups because of my look. My agent informed me that a few tweaks to my appearance would make me more bookable, All I had to do was "soften my look" meaning...take out the piercings, get a tan, dye my hair blond, lose some weight and get some fake tits. Another suggestion they made was to choose music that was less aggressive in nature, in other words dance to top 40 hits. As ashamed as I am to admit it, I took their advice and get a spray tan, dyed my hair, took out the piercings, starved myself and started dancing to music I hated compromising all my artistic integrity as a performer. I even attempted to get breast implants, but thankfully was denied financing because of my student loan situation. I hated myself and spiraled even further into alcohol and cocaine abuse.

Why did I compromise? Money. The fear of not having enough. The fear of being unable to pay for school and not get into a good career and become a failure in life.

SYMBOLS

The Cocktail: It's a Shirley Temple symbolizing youth, feminity and innocence.

The Female Subject: She's blond, tanned, skinny with obviously fake breasts. She's "sacrificing" herself to conform to the blonde bombshell beauty ideal mirroring the lyrics "you're a poser, plastic Barbie doll, platinum blond disgrace."

The Cherry: The pierced cherry symbolizes the loss of innocence, idealism, artistic integrity and becoming corrupted by money.

The Color Palette: I deliberately used pinks and purples because the song is about taking the female gender stereotype to it's extreme. 

Fine Art Print Available here https://www.borg-queen-music.com/paintings


MUSIC AND LYRICS

My intent when writing this song was to parody a pop song. I wanted something super catchy and dance-able, but I wanted to throw in a dark sonic undercurrent to show that underneath all the pink glitter and glamour there was a dark disturbing motivation behind the facade. This is probably one of my favorite songs on the album and can be purchased as a single or part of the album on my WEBSITE 

Little Miss Liquid Courage

Little Miss Liquid Courage you know what you are 
You’re a hot piece of flesh sequin clad pseudo rock star 
So strap on your stilettos get your ass on the stage 
And dance your panties off while you’re still all the rage 

Cause you’re a super star 
And they love what you do 
You only get so far 
Cause I hate what you are 
But you’re my Little Miss, Little Miss, 
Little Miss Liquid Courage 

Little Miss Liquid Courage wipe that smile off your face 
You’re a poser plastic Barbie doll platinum blond disgrace 
So pump up your tits they didn’t come to see your face 
Now you’re the perfect picture of female beauty and grace 

Little Miss Liquid Courage it’s time that you know 
What goes on behind that curtain, time for a VIP show 
You don’t have to get him off, just make him grow 
And then he’ll buy you a drink and even pay for your blow 

Cause you’re his super star 
And he loves what you do 
You only get so far 
Cause he hates what you are 
But You’re his Little Miss, Little Miss, 
But You’re his Little Miss, Little Miss, 

Little Miss Liquid Courage you know what you 
You’re a star, you’re a star 
Yes you are, yes you are 
And you’re my Little Miss, Little Miss, 
Little Miss Liquid Courage 
Liquid Courage x 3 



Thursday, March 16, 2017

A Dark And Enlightening Journey: Part 2 of 10

OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is the title track/painting Sex, Drugs and Shiny Brass Poles.

SEX, DRUGS AND SHINY BRASS POLES

Sex, Drugs and Shiny Brass Poles is the second piece in the series and is a continuation of the story. This Is Real, the first painting in the series focuses on the pressures one experiences when entering adulthood, particularly the role finances(or lack there of) play in our emotional, physical and spiritual well-being. In This Is Real the protagonist has become blinded by the pursuit of wealth because she sees money as the solution to her problems.

Both the paintings and the songs blend conceptually into each other as well as sonically. When you listen to the album in it's entirety on CD one song flows into the next. I did this on purpose because the storyline of each piece is tied to the one before and after it. Sex, Drugs and Shiny Brass Poles is the appearant solution to the problem presented in This Is Real. However, the financial solution presented in SDSBP begins to create a whole new set of problems for the protagonist. She becomes consumed by her environment, and what she thought was her salvation has become her prison.

Don't get me wrong, I really like strip clubs and my intention was not to cast a negative light on strip clubs in particular, but rather on the hollow pursuit of material wealth. The protagonist could have just as well chosen any other profession and become consumed by her environment and lost her identity and sense of purpose.

SYMBOLS

Every symbol within this painting is tied to the idea of forming a symbiotic relationship with the strip club environment. The subjects are no longer autonomous individuals and have been transformed into creatures attached to the poles. I exaggerated the breasts and buttocks in a fetishistic way to show that these women are no longer viewed as "real people" but are simple the sum of ideal feminine characteristics.

The colors and lighting are all about creating a mood. If you've ever set foot into a strip club, you'll have noticed that the lighting really sets the mood and while your eyes may be feasting on flesh it is never truly the color of natural skin, so that's why my three subjects are not flesh tone. I also wanted portray them as skeletal to show that they have been reduced to nothing but flesh and bone.

Sex, Drugs and Shiny Brass Poles

Fine Art Print Available here https://www.borg-queen-music.com/paintings


The arrangement of the subjects is akin to the traditional crucifixion scene with the center subject sacrificing herself for money. The woman on the left snorting the cocaine is caught in the endless cycle of addiction. I painted her body into a contorted loop with her foot stepping on her own head to show that addiction is a cycle as well as something that is self-imposed. The woman on the right has lost her identity as a result of her addiction and has become the physical manifestation of alcoholism. I painted this particular figure to represent myself. The blood pouring out of the bottle attached to her arm is symbolizes me pouring my soul out on to the stage. This is one of those double meaning images I like to use. Pouring out my soul into stage performances is both comforting, but also draining. It kept me sane, but also left me empty because it never seemed like it was enough.

LYRICS & MUSIC



The song can be purchased as a single or part of the album on my WEBSITE


Sex, Drugs & Shiny Brass Poles

We're oh so pretty
We're young and we're bold
We're oh so pretty
And we'll never grow old
We're oh so pretty x4

Welcome to the room where no one grows old
A shining new world awaits
There’s no cover charge
You pay with your soul
The glamour of seduction will swallow you whole
(We’re oh so pretty)
Welcome to the room where no one grows old
A shining new world awaits
There’s no cover charge
You pay with your soul
The glamour of seduction will swallow you whole

Sex drugs and shiny brass poles
Follow me down into the hole
Sex drugs and shiny brass poles
Follow me down x 2
Yeah, swallow me down
Into the hole

Your hollow existence will finally be filled
You’ve got money and acclaim
While they keep throwing you more bills

Sex drugs and shiny brass poles
Follow me down into the hole
Sex drugs and shiny brass poles
Follow me down x 2
Yeah, swallow me down
Into the hole
(We’re oh so pretty)
Live only for tonight
And don’t look to tomorrow
And don’t you ever wake up
Cause all you’ll see is sorrow

Live only for tonight
And don’t look to tomorrow
And don’t you ever wake up
Cause all you’ll see is sorrow
Sorrow, sorrow, sorrow

Sex drugs and shiny brass poles
Follow me down into the hole
Sex drugs and shiny brass poles
Follow me down x 2
Yeah, swallow me down x3
Into the hole

Live only for tonight
And don’t look to tomorrow
And don’t you ever wake up
Cause all you’ll see is sorrow

Live only for tonight
And don’t look to tomorrow
And don’t you ever wake up
Cause all you’ll see is sorrow 


Monday, March 13, 2017

A Dark And Enlightening Journey: Part 1 of 10

WHAT'S IN A NAME?

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. One of the reasons I named the project "Borg Queen" is in reference to a line from the movie Star Trek: First Contact where the borg queen character is first introduced. Data asks the queen who she is and she says to him, "I am the one who is many." In this project I, Jenny Kirby, am the one who is many. In the musical realm am a composer, lyricist, singer, instrumentalist, producer and audio engineer. For live and video performances I'm an actor, choreographer, dancer, character designer, costume designer, set designer, scenic artist, storyboard artist, makeup artist, prop maker, set dresser and art director. For the visual component of what I do ie. the paintings I am of course a painter and digital artist as well as an entrepreneur with a business education background. So, you could say I wear a LOT of hats and use a combination of traditional and digital media and tools to create worlds. Because I am the one who is many and my technique is all about merging the organic with the synthetic I feel Borg Queen is an effective metaphor. Plus, I'm a huge Trekkie.

OVERVIEW

For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from Sex, Drugs & Shiny Brass Poles.

THIS IS REAL

This Is Real is about harsh reality that slaps you in the face during early adulthood. It's about the crushing weight of responsibility and that moment reality sets in and you realize that despite having, goals, talent, ambition and even a plan, there are circumstances out of your control and things rarely go according to plan. It's about shattered dreams, disillusionment and ultimately trying to cope with depression and anxiety when you feel like you're utterly failing in life. You start to feel like despite all your hard work you're not getting ahead or you're not getting to where you want to be in life fast enough. You question yourself. You lose faith. You lose hope and your youthful optimism dies.  In my case I turned to drugs and alcohol to cope and thought that if only I had enough money then I could solve my problems and get to where I want to be.

SYMBOLS

The painting is laced with visual symbols some of them with double meaning like the coins over the eyes that not only represent death, but also being blinded by the pursuit of material wealth. The smashed pumpkin and shattered glass slippers represent broken dreams and shattered idealism. In other words coming to grips with reality when your fairytale vision of how you think your adult life is going to be doesn't quite work out. The images of the shattered dreams are purposefully placed above the subjects head to show that she is being crushed the weight pressures of adult responsibility.  The bloodied feet are walking a painful path as the blood spills out and drips down into a wine glass which is part of the main subjects arm representing drinking your sorrow. The subject is emaciated looking on purpose to show that she is spiritually bankrupt and her only salvation is money.

This Is Real

Fine art print available here https://www.borg-queen-music.com/paintings

LYRICS & MUSIC

The song can be purchased as a single or part of the album on my WEBSITE

This Is Real


This ain’t no fairy tale (This is real) 
A riches to rags story (This is real) 
Cinderella used to be queen x 2 

But now her glass slippers are shattered 
Her ball gown is torn and tattered 
Dark voices start to whisper inside of her head 
Prince Charming is that slob snoring beside her in bed 
And all seems lost that ever mattered 

This ain’t a fairy tale (This is real) 
A riches to rags story (This is real) 
Cinderella used to be queen x 2 

But now her glass slippers are shattered 
Her ball gown is torn and tattered 
Before he came along 
She used to follow her dreams 
But now she sits in silence 
And just swallows her screams 
And all seems lost x 4 

Her God, her God she has forsaken 
She’s been consumed her soul is taken 
Mammon is her saviour now (He’s her only comfort) x2 

Money is god and he’s demanding his sacrifice x 4 

I don’t know what to do any more 
I’ve given up my dreams cause they just won’t come true 
My fairy godmother’s a myth and I hope you are too.(This ain’t no fairy tale) 

I don’t know what to do any more 
I’ve given up my dreams cause they just won’t come true 
My fairy godmother’s a myth and I hope you are too. .(This ain’t no fairy tale) 

I don’t know what to do any more 
I’ve given up my dreams cause they just won’t come true 
My fairy godmother’s a myth and I hope you are too. .(This ain’t no fairy tale) 

Tuesday, June 28, 2016

Art Therapy

"..the painting is a really crucial part of the artistic process for me. I helps me organize my ideas and visually convey the concept behind every song."


I'm offering prints of my paintings as perks as part of my crowdfunding campaign

In my project Borg Queen I wear many hats. Having a career where I can use as many of my skills as possible and be creative has been a lifelong goal of mine. I knew I could never be content just doing one thing. I have to do all the things! The trouble was that I could never find a "job" where I could do that. When people ask me what I do I'm reluctant to tell them that, "I bring complex psychological concepts to life through as many artistic disciplines as possible" because it makes me sound like a pretentious douche, BUT that's exactly what I do. Most of the time I just tell them I'm an artist or a musician and that will usually segway into a conversation about all the shit that I do within this project that I call Borg Queen.

Today's post isn't about everything I do because that would make for an extremely long post, and who has time these days to read something longer than 5 paragraphs with all that other click bait you have to get to. Today's focus is the paintings that I create for every song that I write. Doing the painting is a really crucial part of the artistic process for me. I helps me organize my ideas and visually convey the concept behind every song.

My album Sex, Drugs & Shiny Brass Poles is 10 songs and 10 paintings that tell a true story of why I fell into addiction and how I found my way out. SDSBP is a coming of age story set in a strip club. Each song is a life lesson or insight I gained from working as a stripper. The first 5 songs are written from my perspective as an addict who had lost all hope and put her faith in money. The turning point in the album is when I have a spiritual awakening and the last 5 songs are written from my perspective as a woman who has come into her own and discovered her life purpose despite still being a stripper.

Track List & Paintings

Prints of all the paintings are being offered as perks through my current crowdfunding campaign on Indigogo https://igg.me/at/SexDrugsAlbum

1. This Is Real – 

It’s a reverse Cinderella story. It’s about having being a young adult with goals, hopes and ambitions, but having them destroyed by circumstances beyond control like illness, a bad economy and death. It’s about the huge mistake a lot of young people make which is making money a priority in life. I foolishly thought that money would solve all my problems and give me comfort, but when it didn’t I became depressed and turned to alcohol and drugs.


2. Sex, Drugs & Shiny Brass Poles – 

In short it’s about the trap of greed that a lot of strippers fall into. You get so obsessed with making money that you lose perspective and fall into a vicious cycle of making a bunch of money, but spending it as fast as you make and never getting ahead.


3. Little Miss Liquid Courage – 

It’s about me selling out to the playboy standard of beauty so I could make more money as a stripper. There’s a tremendous amount of pressure in the exotic entertainment industry to make yourself look as close to humanly possible as a Barbie Doll just so you can make more money. Sadly, I succumbed to that pressure and hated myself for it.


4. Hedonist: The Birth Of Venus Demilo – 

It’s about me coping with domestic abuse by turning to various forms of hedonism that were in turn killing me. My hedonist lifestyle took over my personality and eventually transformed me into the alter ego that I was playing on stage.


5. The Bottom Of The Glass –

 It’s about hitting rock bottom as an addict, being totally alone and just crying out to anyone or anything that will listen.


6. My Resurrection – 

It’s the turning point and about facing my demons of greed, abuse and addiction and telling them that they no longer control me.


7. It’s Over – 

It’s a break up song about my abusive relationship with my addictions.


8. We’re All Whores – 

It’s an insight that I had when a customer basically called me a whore for taking my clothes off for money. We all have a price. We’re all a commodity. We’ve all done something for money that we wouldn’t have done otherwise. Therefore, we’re all whores.

9. Lapdance Romance – 

When you’re a stripper you’re not supposed to fall for the customers, but it ended up happening to me. I tried to deny my feelings for him, but I couldn’t so I took a chance, gave up control and allowed myself to fall in love.


10. Imago Dei – 

It’s Latin for image of God. It’s about being a stripper and a person of faith at the same time.

Prints available through my Indigogo crowdfund here

Friday, June 3, 2016

I'm A Dirty Girl

We humans are a filthy breed. Covered in various microorganisms on the outside, our intestines filled with harmful and helpful bacteria battling it out for dominance. As contaminated as our physical form is, it is no competition to how foul and wretched the deepest recesses of our minds and hearts can be reduced to under the right set of conditions.

We may enter this world pure and clean, but none of us leave this life unscathed. Even the most sheltered and naive of our race sustain a few scratches. It is our human condition. We cannot escape adversity. It is the nature of our existence. In fact, overcoming adversity is a necessity for our survival individually and collectively as a species. In this imperfect existence that we must all endure, some of us will face trauma. Some of us will be victims of trauma and will likely perpetuate the suffering we've endured. Often the victim attempts to take control of their pain by becoming an abuser. Sometimes this perpetuation of injury is deliberate and sometimes we simply pass on our stress to those closest to us.

Because of our damaged condition we transform ourselves into inadvertent abusers. Many of us turn our abuse inward. We form destructive habits and addictions. I am no exception. As fortunate as I am to live in a time that couldn't be more ideal for a white, North American woman, I have still endured violence, trauma and pain. As a result, I am a dirty girl, with a filthy mind and polluted heart.

My aim as an artist is to convey the inner recesses of the human psyche, and let's face the truth, as moral as we may try to be the furnishings of our souls will always be covered in thin layer of dirt at best. At worst our interiors are broken, corroded and decaying. Whether it be with my music or visual art I'm adding layers of paint and sound to create texture and covey the complexity of our imperfect condition.

I'd like to show you some examples of how I use technique to integrate artistic intent into the sets and props of my music videos. As an art director I feel that the message of any work of art is more impactful when the technique used to create the visual or sound is mirrored in the concept. One of the more recent examples of this is the fetal growth tank I fabricated for my music video Hedonist. The fetus growing in the tank represents the alter ego that addicts become when they're using.  The tank is corroded and covered in layers of dirt and grime.

Such a tank is by nature dysfunctional, just as the environment is that breeds addiction. I used layer upon layer of paint, glues and textures to create the corrosion, just as it takes layers of dysfunction to create the right environment to grow an addict.





I've come to realize the I do dirty, complex and real very well. I think because I'VE come to terms with the fact that dirty, complex and real is my nature. I'VE accepted it. That doesn't mean however that I didn't hide from it or try to pretty it up with some fancy window dressing. My song We're All Whores is all about exposing our true nature as modern humans by showing that we are all prostitutes to our system of commerce in one way or another. I use stripping as a visual metaphor in the music video to relate this idea. Strippers aren't the only ones stripping in strip clubs. The environment is designed to strip the patrons down to their very base instincts. I ran with this idea a little further and showed the patrons as strippers being stripped down by the strippers. Here's a little teaser clip from the music video.

So why expose the filth that permeates us to our core? Because in order to better ourselves and the world around us we must first address our dysfunction so that we can take responsibility for it and create positive change within ourselves and as a society. 

Wednesday, September 10, 2014

The Origin Of Borg Queen

As I look back over the past 8 years I'm amazed at how something that began as an art therapy project has snowballed into this elaborate multi-media multi-disciplinary integrated art and music project I've named Borg Queen.

8 years ago I decided to get sober and that involved making some huge changes in my life which included leaving an abusive relationship. At the time I was working as a stripper after deciding the I just didn't want to use my artistic abilities to make video games. I know, sounds like a cool job right? Well, it was OK, and definitely a great learning experience, but I just wasn't passionate about it. So when my contract ended I fell back on my old stand by means of making money- exotic entertainment.

Some of you might be asking yourselves, isn't exotic entertainment just a PC or elaborate way of saying stripper? Yes, and no, but for me as an artist and performer I really truly enjoy entertaining people, and getting naked honestly just isn't that big of a deal to me. So for me, I consider my form of "Naked Halloween" to be exotic entertainment.

At that point in my life when this all began, I was just taking it "one day at a time" as the old recovery mantra goes, so I was just really grateful to be alive, free of abuse and sober. What I started to realize in my new sober state of mind was that my greatest educational experience was the lessons I was learning from being a strip...uh, I mean exotic dancer. No, seriously. Working in strip clubs has allowed me to study psychology, sociology, anthropology, business, economics, performance art and feminist studies all while making a decent wage.

I needed to do something to keep myself sane and sober between shows, so I decided to do a series of paintings based on the life lessons I was learning from my experiences as a dancer. What I didn't expect that while I was spreading the paint across the canvas was that I would start to hear music and chain together lyrics. I hadn't touched a music instrument in several years, but I dusted off my guitar and started writing songs again. I soon graduated to a USB keyboard and software synths. I named my little project Borg Queen because I love Star Trek and I felt that cyborgs are a great metaphor for what I do as an artist by merging organic and synthetic mediums.

Before I knew it I had written 10 songs and done 10 paintings! I'm calling this compilation of songs and paintings Sex, Drugs & Shiny Brass Poles. It's been in the works for a long time now, but the end is in sight, productionwise anyway. So far, I've released a single and music video Lapdance Romance, and I'm really looking forward to the release of this album. I'm hesitant to give out any firm dates yet, but SOON...
Album Art For Sex, Drugs & Shiny Brass Poles



Wednesday, August 13, 2014

Album Art: The Story Behind Little Miss Liquid Courage & This Is Real

With the imminent December 2014 release of my album Sex, Drugs, & Shiny Brass Poles I've had to kick things into high gear. Today I managed to get the cover art for two songs done. Both have the central theme of money. Now don't get me wrong, I have nothing against money or rich people and the purpose of my songs and paintings for This Is Real and Little Miss Liquid Courage are not to say money is evil, but rather to tell my personal story of how making money my first priority in life did not bring happiness, success or material wealth. In fact, the moment I made money my top priority was the first step of my downward spiral to becoming a broke, depressed failure.

This Is Real is a "reverse Cinderalla" story. It's the story of how I went from riches to rags by making money my god. Often as we enter adulthood we start to realize that life doesn't quite turn out how we expect it to, despite our best efforts. This can leave us disillusioned and angry, and we start think in terms of "if only" scenarios. If only I had a relationship. If only I had made this decision and not that one. If only I had more money. For me, it was, "if only I had more money, I could fix my problems."

This Is Real - a painting and song by Jenny  Kirby. Listen to the instrumental backing track here

My problems at the time were that I was in an abusive relationship where I was financially dependent on my abuser because I was a student, and my dad's health was failing. I figured that if I could make enough money then I could afford my living expenses, school and help pay for better medical care for my dad. I took a job as an exotic dancer to make some extra cash thinking that I'd be able to achieve my goals with all of my extra dancing money that I'd be making and THEN I'd be happy.

Little Miss Liquid Courage is about succumbing to the pressure to change my appearance to be the ideal "Barbie" in order to make more money as an exotic entertainer. When I first started dancing, I was pale red-haired goth with a small breasts. The criticisms I received from the booking agents were that they could get me more consistent work and a higher show price from the clubs if, I lost some weight, got a tan, dyed my hair blond and got some breast implants. Thankfully, my credit was so shot from my student load debt that I was turned down for financing for my boobs, but I did go get myself that fake tan and dyed my hair platinum blond. I gave up my unique look and tried to fit the cookie cutter mold of feminine beauty for more money.

Little Miss Liquid Courage - a painting and song by Jenny Kirby. Listen to the instrumental backing track here

Needless to say I'm older and wiser now, and have learned that money doesn't buy happiness, less stress or make a person successful. Living out your life's purpose by using what's been given whether it be your time, energy, talent or money and sharing what you've been blessed with to those around you will make you happy. I get to do what I love and share it with the world every day, and that is NOW my definition of success.

Saturday, July 26, 2014

New Album Art For Hedonist

For those of you who don't already know this, for each song that I write I also do a painting to convey visually the concept behind the song. I'm currently mixing my song Hedonist which is about a time in my life when I was in an abusive relationship. The strange thing about abuse is that it's a vicious cycle that perpetuates itself. In my case, I was being abused mentally and physically, and instead of breaking the cycle of abuse by leaving the situation, I stayed and medicated myself by indulging in various forms of hedonism, the most notable being alcohol, drugs, over-eating and sex addiction. My drugs of choice were enough of an escape to make a terrible situation bearable enough to endure despite the fact that I was squandering my life away and my addictions were transforming me into an entirely different person. Unfortunately, that person I became was someone who didn't give a fuck about anything, and the intelligent, creative, passionate person that I truly am was buried for several years.

My artwork for Hedonist is a visual representation of the concept of an addiction transforming a person into and alter ego and simultaneously mutilating and destroying the individual who has allowed themselves to remain the victim.

Cover Art for Hedonsit - The Birth Of Venus De Milo