A Dark And Enlightening Journey: Part 3 of 10

PROJECT OVERVIEW

If you read this blog on any kind of regular basis you probably know that Borg Queen is a multidisciplinary art project where I get to use literally every creative and technical discipline that I've ever been trained in. For each song that I write, I do a painting to visually convey the concept behind the song because the way I look at is that why not use as many mediums as possible to explore all the facets of the idea I'm communicating through sight and sound. My latest album Sex, Drugs and Shiny Brass Poles is 10 songs, 10 paintings and 3 music videos telling the story of how I learned the some of the most important lessons in life from working as a stripper. Each post in this series will be a detailed analysis of each song and painting from the album. Today's piece is Little Miss Liquid Courage.

LITTLE MISS LIQUID COURAGE

Little Miss Liquid Courage is the third piece in the series and is a continuation of the story. Sex, Drugs and Shiny Brass Poles the preceding song and painting is all about being consumed by the hollow pursuit of material wealth and becoming viewed as a fixture within strip club environment rather than an autonomous human being. Little Miss Liquid Courage expands upon the idea of losing ones identity and the pressure to conform to a very specific and unrealistic standard of beauty aka. the "human Barbie." Conforming to the human Barbie look isn't just specific to exotic entertainment, it's a beauty standard perpetuated by western pop culture in general. 

When I first started dancing I was stoked about it! I could make money by hanging out in a bar, having drinks bought for me and entertaining people on stage. As an artschool student in their early 20's it was a seemingly ideal situation for me, until I started to see the dark underbelly and politics of the industry. Because I was very pale skinned, had piercings, red haired and kinda gothy looking I was constantly getting bumped from gig lineups because of my look. My agent informed me that a few tweaks to my appearance would make me more bookable, All I had to do was "soften my look" meaning...take out the piercings, get a tan, dye my hair blond, lose some weight and get some fake tits. Another suggestion they made was to choose music that was less aggressive in nature, in other words dance to top 40 hits. As ashamed as I am to admit it, I took their advice and get a spray tan, dyed my hair, took out the piercings, starved myself and started dancing to music I hated compromising all my artistic integrity as a performer. I even attempted to get breast implants, but thankfully was denied financing because of my student loan situation. I hated myself and spiraled even further into alcohol and cocaine abuse.

Why did I compromise? Money. The fear of not having enough. The fear of being unable to pay for school and not get into a good career and become a failure in life.

SYMBOLS

The Cocktail: It's a Shirley Temple symbolizing youth, feminity and innocence.

The Female Subject: She's blond, tanned, skinny with obviously fake breasts. She's "sacrificing" herself to conform to the blonde bombshell beauty ideal mirroring the lyrics "you're a poser, plastic Barbie doll, platinum blond disgrace."

The Cherry: The pierced cherry symbolizes the loss of innocence, idealism, artistic integrity and becoming corrupted by money.

The Color Palette: I deliberately used pinks and purples because the song is about taking the female gender stereotype to it's extreme. 

Buy this painting!

Fine Art Print Available here https://www.borg-queen-music.com/paintings

MUSIC AND LYRICS

My intent when writing this song was to parody a pop song. I wanted something super catchy and dance-able, but I wanted to throw in a dark sonic undercurrent to show that underneath all the pink glitter and glamour there was a dark disturbing motivation behind the facade. This is probably one of my favorite songs on the album and can be purchased as a single or part of the album on my WEBSITE 

Little Miss Liquid Courage

Little Miss Liquid Courage you know what you are 

You’re a hot piece of flesh sequin clad pseudo rock star 

So strap on your stilettos get your ass on the stage 

And dance your panties off while you’re still all the rage 

Cause you’re a super star 

And they love what you do 

You only get so far 

Cause I hate what you are 

But you’re my Little Miss, Little Miss, 

Little Miss Liquid Courage 

Little Miss Liquid Courage wipe that smile off your face 

You’re a poser plastic Barbie doll platinum blond disgrace 

So pump up your tits they didn’t come to see your face 

Now you’re the perfect picture of female beauty and grace 

Little Miss Liquid Courage it’s time that you know 

What goes on behind that curtain, time for a VIP show 

You don’t have to get him off, just make him grow 

And then he’ll buy you a drink and even pay for your blow 

Cause you’re his super star 

And he loves what you do 

You only get so far 

Cause he hates what you are 

But You’re his Little Miss, Little Miss, 

But You’re his Little Miss, Little Miss, 

Little Miss Liquid Courage you know what you 

You’re a star, you’re a star 

Yes you are, yes you are 

And you’re my Little Miss, Little Miss, 

Little Miss Liquid Courage 

Liquid Courage x 3 

BUY LITTLE MISS LIQUID COURAGE

I'm A Dirty Girl

We humans are a filthy breed. Covered in various microorganisms on the outside, our intestines filled with harmful and helpful bacteria battling it out for dominance. As contaminated as our physical form is, it is no competition to how foul and wretched the deepest recesses of our minds and hearts can be reduced to under the right set of conditions.

We may enter this world pure and clean, but none of us leave this life unscathed. Even the most sheltered and naive of our race sustain a few scratches. It is our human condition. We cannot escape adversity. It is the nature of our existence. In fact, overcoming adversity is a necessity for our survival individually and collectively as a species. In this imperfect existence that we must all endure, some of us will face trauma. Some of us will be victims of trauma and will likely perpetuate the suffering we've endured. Often the victim attempts to take control of their pain by becoming an abuser. Sometimes this perpetuation of injury is deliberate and sometimes we simply pass on our stress to those closest to us.

Because of our damaged condition we transform ourselves into inadvertent abusers. Many of us turn our abuse inward. We form destructive habits and addictions. I am no exception. As fortunate as I am to live in a time that couldn't be more ideal for a white, North American woman, I have still endured violence, trauma and pain. As a result, I am a dirty girl, with a filthy mind and polluted heart.

My aim as an artist is to convey the inner recesses of the human psyche, and let's face the truth, as moral as we may try to be the furnishings of our souls will always be covered in thin layer of dirt at best. At worst our interiors are broken, corroded and decaying. Whether it be with my music or visual art I'm adding layers of paint and sound to create texture and covey the complexity of our imperfect condition.

I'd like to show you some examples of how I use technique to integrate artistic intent into the sets and props of my music videos. As an art director I feel that the message of any work of art is more impactful when the technique used to create the visual or sound is mirrored in the concept. One of the more recent examples of this is the fetal growth tank I fabricated for my music video Hedonist. The fetus growing in the tank represents the alter ego that addicts become when they're using.  The tank is corroded and covered in layers of dirt and grime.

Such a tank is by nature dysfunctional, just as the environment is that breeds addiction. I used layer upon layer of paint, glues and textures to create the corrosion, just as it takes layers of dysfunction to create the right environment to grow an addict.

I've come to realize the I do dirty, complex and real very well. I think because I'VE come to terms with the fact that dirty, complex and real is my nature. I'VE accepted it. That doesn't mean however that I didn't hide from it or try to pretty it up with some fancy window dressing. My song We're All Whores is all about exposing our true nature as modern humans by showing that we are all prostitutes to our system of commerce in one way or another. I use stripping as a visual metaphor in the music video to relate this idea. Strippers aren't the only ones stripping in strip clubs. The environment is designed to strip the patrons down to their very base instincts. I ran with this idea a little further and showed the patrons as strippers being stripped down by the strippers. Here's a little teaser clip from the music video.

So why expose the filth that permeates us to our core? Because in order to better ourselves and the world around us we must first address our dysfunction so that we can take responsibility for it and create positive change within ourselves and as a society. 

The Origin Of Borg Queen

As I look back over the past 8 years I'm amazed at how something that began as an art therapy project has snowballed into this elaborate multi-media multi-disciplinary integrated art and music project I've named Borg Queen.

8 years ago I decided to get sober and that involved making some huge changes in my life which included leaving an abusive relationship. At the time I was working as a stripper after deciding the I just didn't want to use my artistic abilities to make video games. I know, sounds like a cool job right? Well, it was OK, and definitely a great learning experience, but I just wasn't passionate about it. So when my contract ended I fell back on my old stand by means of making money- exotic entertainment.

Some of you might be asking yourselves, isn't exotic entertainment just a PC or elaborate way of saying stripper? Yes, and no, but for me as an artist and performer I really truly enjoy entertaining people, and getting naked honestly just isn't that big of a deal to me. So for me, I consider my form of "Naked Halloween" to be exotic entertainment.

At that point in my life when this all began, I was just taking it "one day at a time" as the old recovery mantra goes, so I was just really grateful to be alive, free of abuse and sober. What I started to realize in my new sober state of mind was that my greatest educational experience was the lessons I was learning from being a strip...uh, I mean exotic dancer. No, seriously. Working in strip clubs has allowed me to study psychology, sociology, anthropology, business, economics, performance art and feminist studies all while making a decent wage.

I needed to do something to keep myself sane and sober between shows, so I decided to do a series of paintings based on the life lessons I was learning from my experiences as a dancer. What I didn't expect that while I was spreading the paint across the canvas was that I would start to hear music and chain together lyrics. I hadn't touched a music instrument in several years, but I dusted off my guitar and started writing songs again. I soon graduated to a USB keyboard and software synths. I named my little project Borg Queen because I love Star Trek and I felt that cyborgs are a great metaphor for what I do as an artist by merging organic and synthetic mediums.

Before I knew it I had written 10 songs and done 10 paintings! I'm calling this compilation of songs and paintings Sex, Drugs & Shiny Brass Poles. It's been in the works for a long time now, but the end is in sight, productionwise anyway. So far, I've released a single and music video Lapdance Romance, and I'm really looking forward to the release of this album. I'm hesitant to give out any firm dates yet, but SOON...

Album Art For Sex, Drugs & Shiny Brass Poles