The Spark. The Layers. The Release.

As a multidisciplinary artist who paints and writes songs, one of the most common questions I get is, "What comes first, the painting or the song?" The answer is neither. It's the concept that comes to me first. It's a spark that flashes within my mind and I feel compelled to communicate it as thoroughly as possible. Sometimes I'll write about it first, and other times I'll work on the visual aspect of it depending on my mood. There's so many layers to an idea and when I create it's through layers of paint and sound. Each layer has meaning and is an integral part to the entire piece.

This most recent series of paintings and songs is all about the layers. On the surface Blood Sweat Tears is woman venting about how her marriage and family life is falling to pieces and how she's coping through violent sex and workaholism. Deeper down it's about how we have a preferred self and a shadow self. When we face loss or some kind of tragedy we often revert to a shadow version of ourselves as a coping mechanism. 

My shadow self is something that I explore through my songs and artwork. In a way it's a confession of all the horrible feelings I held inside for years because I didn't want to let go. I called this series of paintings Blood Sweat Tears because it really is a wonderful symbol of the creative process. Blood is representative of life and intimacy. It's the fuel that feeds the creative spark. Sweat is the process of crafting all the layers and organizing them into songs and paintings. Tears are the release. Once the idea has been meticulously crafted, it's time to let it go into the world. It's a literal release of material into the marketplace, but also a form of closure to a chapter of my life.

If you've been following my progress for the past year or so, you should be aware that I'm mixing my literal blood, sweat & tears into my artwork. I've posted a few videos here and there of my process. To extract my sweat I would engage in a sweaty activity and then use paper towel to dry myself off. I then would then puree the sweat soaked paper towel in a blender and add the pulp to my sculpting medium. I essentially used the same process for the tears. To make myself cry I would watch the Star Trek: TNG episode 'The Inner Light,' which is the one where Picard lives an entire lifetime in 20 minutes. I challenge you to watch it and not cry.

Here's a video of my sweat extraction process.

Extracting blood, was something I agonized over a bit. I debated using menstrual blood, but decided against it mostly because I wanted "pure blood" free of all the other stuff that comes along with period blood like uterine lining, vaginal mucus and bits of tampon. I considered cutting myself, but I didn't want to promote self-harm in any way. Finally I found out that one of my friends draws his own blood when ever he has to give a sample for medical purposes, so I asked him if he'd be willing to help me out. By far this ended up being the best option because not only is it safe and sterile, but the viles are vacuum sealed and the blood stays fresh.

Here's a video of my blood extraction and the method I used to incorporate it into the painting.

It took several days to complete my first piece which is longer than it normal takes me if I'm just doing a painting. I had to wait for the plaster to dry between layers and I'm this was my first attempt at sculpting.

The end result was pretty cool. My "release" of the painting is me reciting the lyrics to the song as a dramatic monologue. Call me old school, but I believe words are very important in songwriting.

Here's the finished painting with my recitation of the lyrics.

I'm still running my pre-order campaign through Pledge Music and prints of the artwork as well as the EP are still available for pre-order until March 19th.

PRE ORDER TODAY!!!

The Audio-visual Process For 'Blood Sweat Tears'

People ask me what I do all the time, and never really have a succinct answer that doesn't make me sound a. Horribly pretentious or b. Completely unfocused. I always end up explaining to them the entirety of what I do within the project 'Borg Queen' which usually goes something like this...

"I have a multidisciplinary art project where I write and record songs, but for each song that I write I do a painting to visually convey the concept behind the song. I also make music videos and I use the painting as the visual inspiration for the imagery in the video. I'm also a dancer with a background in theatre so for my live performances I like to do a theatrically driven show that incorporates other performers, choreography, props and FX." 

It's usually followed by me showing them pictures on my phone of my paintings, music videos and the behind the scenes shots of the process.

So why work in so many mediums to simply express an idea? The short answer is because I can. The long answer is because some people are more inclined to process audio information effectively and others are more visually inclined. Also, there are layers and complexities within a concept that lend themselves better to audio and some that can only be expressed visually. One of the more common questions that I get asked is:

Do I work on the audio or visual aspect of idea first?

For my previous album it was sometimes the image came first. Sometimes the lyrics were the first thing to pop into me head, but for a couple of the songs I definitely wrote the music before anything else based on the overall idea I wanted to express.

For my upcoming EP 'Blood Sweat Tears' my process has been more formulated, not on purpose, but there's definitely been an order to the way I've been working.

First I wrote the lyrics.

This EP is me venting emotionally, mentally, socially, physically and sexually. There was a lot of sadness, rage, regret and anxiety I was bottling up inside much to my psychological detriment, and finally last August I had a nervous breakdown. I fell apart on every level of existence. I was having a recurring nightmare about being a serial killer who was on the run. I finally figured out that the dream was symbolic of me killing my emotions and burying them. So I decided to do something for my mental health, and I started writing down all of the dark thoughts that I had been concealing deep within my psyche.

Next I wrote the music.

I didn't want to over think it, so I kept it pretty simple as far as the song structures went and I avoided second guessing myself. I figured if I don't like it, I can always delete the file and start over again. I wrote, produced and recorded the songs within the span of about 2 weeks. In those two weeks that I was belting out my vocals, I felt a release and the recurring serial killer nightmare ended.

Currently I'm working on the artwork.

Right now I'm working on the visual development for the EP. I'm currently sketching full color thumbnails for the paintings each song will have. Eventually the paintings will serve as the visual framework on which I base the music videos.

My process so far in the visual development will be for me to sit down and start writing the lyrics. As I write the lyrics down, visuals will pop into my head. It almost like having several frames from a video in random order flip through my minds eye. I take a mental screenshot of the images I feel are the most powerful and then recall them as I start sketching. Next I add color and this is a really important step as the palette I use in the painting will determine the palette used in the videos. For all of the visuals in this EP the palette is representative of blood, sweat and tears. I'm using red for blood, flesh tone for sweat and blue for tears.

This is the thumbnail and lyrics for 'Sexorcism'

I'm taking a more literal approach with the actual paintings and adding my own blood, sweat and tears into the medium. I'm currently posting videos of my process on my Pledge Music campaign for the EP. Anyone who wants to join me in my artistic journey creating the EP gets an access pass to the exclusive videos and regular updates that I'll be posting along the way.

I made my first Pledge Music video update from the bath showing pledgers my process for extracting the sweat that I am using in the paintings. If you join me on Pledge Music, you get access to my often very bizarre creative process. 

 So far it's been a really fun collaborative effort and I've loved communicating with my pledgers throughout the process so far. The feedback has been overwhelmingly encouraging and I'm so grateful that platforms like Pledge Music exist for me to connect on a very intimate artistic level with my fans.

The next step.

After the EP is completed and released, I will be turning my attention to making a music video for each and every one of the songs on the EP. The videos will all transition seamlessly from one to another telling the story behind the demise of my psyche in 2016 and how I got it back by confessing to being a "Serial Killer."

The Art Of Sexual Assault

UPDATE January 15, 2017 

Hedonist is the victim impact statement I wrote in the form of song after the police told me that there was nothing they could do for me because they didn't have enough evidence to press charges against my assailant. Sadly, this scenario is all too common even in "progressive" western society.

A Victim Impact Statement Through Art, Music & Video

To say the past month has been rough would be a gross understatement. In a follow up to my recent post Crippling Horrible Depression where I discuss the emotional impact of my recent sexual assault, today I want to touch upon the artistic impact my sexual assaults have had. Yes, you read that correctly...assaults...as in, more than one time. In fact, I've been sexually violated in the criminal sense 6 times in the past 20 years and it does have somewhat of a cumulative effect especially considering that not once, despite filing police reports has it ever led to my assailants being brought up on charges. The disgusting reality is that each and every time, my integrity has come into question and I've been subject to victim blaming and dismissive attitudes by law enforcement and legal professionals.

In many ways being the victim of sex crimes and a failing justice system has shaped me into the type of artist that I am today. I don't paint pretty pictures or write songs about sunny days. Not that there's anything wrong with that kind of art, but if I am going to have these shitty things happen to me I at least want it to count for something. I want to draw attention through my art to social injustices. I want to empower victims to take a stand and speak up. I want young women to know that it is not their fault and it IS a big deal that someone has violated their sexual autonomy. I want comfort my fellow victims and let them know that they are not alone in their pain. I want to call out the powers that be in their failure to protect the public because they're too concerned with protecting their own interests.

In the music video We're All Whore I call out the corrupt justice system that has failed me as a victim of sexual assault time and time again.

A judge is transformed into a twisted version of Lady Justice to show that even the noblest of institution can be corrupted by money and power.

I want to educate the public about sexual assault and it's impacts on society as a whole. What most people picture when you say "sexual assault" is a woman walking alone in a dark place and all of a sudden a man with a weapon jumps out, forces her to the ground, threatens her and rapes her causing massive bodily trauma in the process. While this is a type of sexual assault specifically called aggravated rape it is hardly the most common form of sexual assault. Most sexual assaults involve someone who is already known to the victim. Most sexual assaults involve coercion and manipulation of the victim.

Not all sexual assaults are rape, but ALL sexual assaults involve a lack of consent. Of the six incidents of sexual assault happened to me 3 involved non consentual vaginal penetration but only 2 would be considered rape. Of the two times I was raped both times it was by someone I was well acquainted with. In fact one of my assailants was a domestic partner. Only 2 out of the six times I was assaulted, it was by a stranger. 3 out of the 6 times it happened was in a workplace situation. One time it was within the medical profession while I was seeking treatment for my fibromyalgia.

Each time it's happened it takes a bit to process what just happened to me. My initial reaction is that of shock, then I feel like throwing up, then I feel fear, then anger, then confusion, then disbelief until I run through the incident in my head again and realize that yes, that really did happen to me again. Then I have to decide what I'm going to do about it. Do I let it go,or do I confront my assailant, or do I report it? 4 out of the six times I reported what happened to me and 4 out of 4 times nothing happened as far as legal consequences of any kind for my assailants. Disappointed doesn't even begin to explain the tornado of emotion that has raged in me each an every time I have experienced this injustice. 

In the Hedonist music video I use surgery as a visual metaphor for sexual assault

A victim lays helpless on the operating table while the assailant cuts into her violating her physical autonomy.

The idea was to capture the impact of sexual assualt on the victim's entire being through violent imagery. I want to show the audience that "this is how it feels. You're stuck, powerless and someone has control over your body and the trauma of the event will continue to haunt your soul"

What makes the experience of being sexually assaulted and not having acknowledged and legitimzed through the criminal justice system even more infuriating is knowing that something like this has happened to every woman I know! I know the official North American statistic is that 1 in 4 women experience sexual assault, but it's gotta be higher. Either way, it's a serious social problem and it has to change! Too many of us victims don't tell anyone that it happened. Too many of us just sweep it under the rug and try to just "get on" with our lives. Too many of us feel guilt, shame and blame ourselves for what happened. Too many of us don't report it to the proper authorities or if we do, it's been such a long time that all the evidence has disappeared. Too many of us think that because we weren't "raped" that we have less of a right to feel violated.

I want to encourage other victims to talk about it, report it and even if they don't see any justice through our broken legal system to write a victim impact statement as they would do if their case actually went to court. I write my victim impact statements through my art and music. It's how I work through it. My painting, song and music video Hedonist is my victim impact statement. Through words and images I acknowledge what happened and it's profound effect on every aspect of my life and the people closest to me. Writing a victim impact statement doesn't have to be a work of art, but trust me that getting it out has been therapeutic and healing. I encourage everyone to write one no matter how long ago it happened and no matter what the legal outcome was.

Sexual assault and it's aftermath has a snowball affect on it's victims. It leads to mental health issues, which can lead to self destructive behaviour like eating disorders, self harm and substance abuse. Addiction is a massive social problem and studies of female addicts have shown that almost 100% have suffered sexual abuse. The mental health issues experienced by sexual assault victims can impede their ability to earn a living and be productive members of society. So, it's not just the victims(at least 25% of women) who suffer, but society as a whole.

The imagery in the music video Hedonist is designed to show the complexity of the relationship between sexual abuse, mental illness and addiction.

The bottom line is that if you are a victim of ANY form of sexual assault I encourage you to make as much noise about it as possible. Report it to the police. Write a victim impact statement even if it doesn't go to court. If you feel you justice wasn't served or you weren't taken seriously, go to the media. Talk to a lawyer to see what your legal options are. Fight back! Tell someone you trust. Hell! Email me about it at borgqueenmusic@gmail.com I'll listen to you, even if no one else does.

If someone close to you was sexually assaulted encourage them to do all of the above and hold their hand through it all so that they know they're not alone.

I'm A Dirty Girl

We humans are a filthy breed. Covered in various microorganisms on the outside, our intestines filled with harmful and helpful bacteria battling it out for dominance. As contaminated as our physical form is, it is no competition to how foul and wretched the deepest recesses of our minds and hearts can be reduced to under the right set of conditions.

We may enter this world pure and clean, but none of us leave this life unscathed. Even the most sheltered and naive of our race sustain a few scratches. It is our human condition. We cannot escape adversity. It is the nature of our existence. In fact, overcoming adversity is a necessity for our survival individually and collectively as a species. In this imperfect existence that we must all endure, some of us will face trauma. Some of us will be victims of trauma and will likely perpetuate the suffering we've endured. Often the victim attempts to take control of their pain by becoming an abuser. Sometimes this perpetuation of injury is deliberate and sometimes we simply pass on our stress to those closest to us.

Because of our damaged condition we transform ourselves into inadvertent abusers. Many of us turn our abuse inward. We form destructive habits and addictions. I am no exception. As fortunate as I am to live in a time that couldn't be more ideal for a white, North American woman, I have still endured violence, trauma and pain. As a result, I am a dirty girl, with a filthy mind and polluted heart.

My aim as an artist is to convey the inner recesses of the human psyche, and let's face the truth, as moral as we may try to be the furnishings of our souls will always be covered in thin layer of dirt at best. At worst our interiors are broken, corroded and decaying. Whether it be with my music or visual art I'm adding layers of paint and sound to create texture and covey the complexity of our imperfect condition.

I'd like to show you some examples of how I use technique to integrate artistic intent into the sets and props of my music videos. As an art director I feel that the message of any work of art is more impactful when the technique used to create the visual or sound is mirrored in the concept. One of the more recent examples of this is the fetal growth tank I fabricated for my music video Hedonist. The fetus growing in the tank represents the alter ego that addicts become when they're using.  The tank is corroded and covered in layers of dirt and grime.

Such a tank is by nature dysfunctional, just as the environment is that breeds addiction. I used layer upon layer of paint, glues and textures to create the corrosion, just as it takes layers of dysfunction to create the right environment to grow an addict.

I've come to realize the I do dirty, complex and real very well. I think because I'VE come to terms with the fact that dirty, complex and real is my nature. I'VE accepted it. That doesn't mean however that I didn't hide from it or try to pretty it up with some fancy window dressing. My song We're All Whores is all about exposing our true nature as modern humans by showing that we are all prostitutes to our system of commerce in one way or another. I use stripping as a visual metaphor in the music video to relate this idea. Strippers aren't the only ones stripping in strip clubs. The environment is designed to strip the patrons down to their very base instincts. I ran with this idea a little further and showed the patrons as strippers being stripped down by the strippers. Here's a little teaser clip from the music video.

So why expose the filth that permeates us to our core? Because in order to better ourselves and the world around us we must first address our dysfunction so that we can take responsibility for it and create positive change within ourselves and as a society.